Domenichino
1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.

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Domenichino The Assumption of Mary Magdalen into Heaven (mk08) oil painting


The Assumption of Mary Magdalen into Heaven (mk08)
c.1617-1621 Oil on canvas 129x100cm St Petersburg,Hermitage
Painting ID::  21465
Domenichino
The Assumption of Mary Magdalen into Heaven (mk08)
c.1617-1621 Oil on canvas 129x100cm St Petersburg,Hermitage
   
   
     

Domenichino The Maiden and the Unicorn (mk08) oil painting


The Maiden and the Unicorn (mk08)
c.1602 Freso,Rome,Palazzo Farnese
Painting ID::  21527
Domenichino
The Maiden and the Unicorn (mk08)
c.1602 Freso,Rome,Palazzo Farnese
   
   
     

Domenichino St Agnes (mk25) oil painting


St Agnes (mk25)
c 1620
Painting ID::  24077
Domenichino
St Agnes (mk25)
c 1620
   
   
     

Domenichino Self-Portrait oil painting


Self-Portrait
c.1610-12 Oil on canvas 66.4x49.9cm Palazzo Pitti,Florence
Painting ID::  26778
Domenichino
Self-Portrait
c.1610-12 Oil on canvas 66.4x49.9cm Palazzo Pitti,Florence
   
   
     

Domenichino The Sacrifice of Abraham oil painting


The Sacrifice of Abraham
mk61 1627-1628 Oil on canvas 147x140
Painting ID::  28073
Domenichino
The Sacrifice of Abraham
mk61 1627-1628 Oil on canvas 147x140
   
   
     

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     Domenichino
     1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.

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